Camera angle will give you more control while generating MJ images.
I have listed many angel methods, you can use it anytime.
How to use🤌
Example - street style of a man/woman/thing, Cinematic, Golden Hour lighting, FijiFilm Pro 400H, <Camera Angel> , 4k —q 2, —v 5
Real world example:
A red ferrari, Cinematic, Golden Hour lighting, FijiFilm Pro 400H, 4k --q 2 --v 5
Here are 40 new prompts that you can use:
| No. | Angle Name | Description |
|---|---|---|
| 1 | Extreme High-Angle Closeup | A close-up shot from an extremely high angle, making the subject appear small, vulnerable or less significant. |
| 2 | High-Angle Shot | A shot taken from above the subject, looking down, giving the viewer a sense of dominance or superiority over the subject. |
| 3 | Bird's Eye View | A shot taken from directly above the subject, providing a unique perspective and showcasing the surrounding environment. |
| 4 | Dutch Angle | A shot in which the camera is tilted, creating an angle that adds tension, unease, or disorientation to the scene. |
| 5 | Eye-Level Shot | A shot taken at the subject's eye level, creating a neutral perspective and allowing the viewer to connect with the subject. |
| 6 | Low-Angle Shot | A shot taken from below the subject, looking up, giving the subject a sense of power, importance or dominance. |
| 7 | Extreme Low-Angle Shot | A shot taken from an extremely low angle, exaggerating the subject's size and importance in the frame. |
| 8 | Worm's Eye View | A shot taken from ground level, providing a unique perspective and emphasizing the height and scale of the subject. |
| 9 | Close-Up Shot | A shot that tightly frames a person or object, focusing on the subject's details and emotions. |
| 10 | Medium Close-Up Shot | A shot that is tighter than a medium shot but looser than a close-up, often framing a subject from the shoulders up. |
| 11 | Medium Shot | A shot that frames a subject from the waist up, often used for dialogue scenes and providing a balance between close-ups and long shots. |
| 12 | Medium Long Shot | A shot that frames a subject from the knees up, providing more context and background while still focusing on the subject. |
| 13 | Long Shot | A shot that captures a subject's full body, showcasing the environment and providing context for the scene. |
| 14 | Extreme Long Shot | A shot taken at a great distance from the subject, emphasizing the environment and minimizing the subject in the frame. |
| 15 | Over-the-Shoulder Shot | A shot taken from behind a subject's shoulder, often used in dialogue scenes to create a sense of depth and connection. |
| 16 | Point-of-View Shot | A shot that simulates the perspective of a specific character, allowing the viewer to see the scene from their point of view. |
| 17 | Two-Shot | A shot that frames two subjects, often used to emphasize the relationship or interaction between the characters. |
| 18 | Three-Shot | A shot that frames three subjects, often used to showcase group dynamics or interactions. |
| 19 | Profile Shot | A shot that frames a subject from the side, highlighting their profile and creating a sense of depth. |
| 20 | Master Shot | A shot that captures the entire scene, including all subjects and background elements, often used as a reference for later coverage. |
| 21 | Aerial Shot | A shot taken from an elevated position, often using a drone or helicopter, to capture expansive landscapes and large-scale scenes. |
| 22 | Tilt Shot | A shot where the camera moves vertically up or down, changing the viewer's perspective and emphasizing different elements in the scene. |
| 23 | Dolly Shot | A shot where the camera moves smoothly along a track or with a stabilizer, following the subject or creating a sense of motion. |
| 24 | Tracking Shot | A shot where the camera moves parallel to the subject, maintaining the same distance and angle while capturing the subject in motion. |
| 25 | Crane Shot | A shot taken from a crane, jib, or boom, allowing the camera to move vertically and horizontally, creating dynamic and engaging visuals. |
| 26 | Handheld Shot | A shot taken without the use of a tripod or stabilizer, often resulting in a shaky or imperfect image that adds a sense of realism or urgency. |
| 27 | Whip Pan | A fast horizontal camera movement that quickly transitions from one subject or scene to another, creating a sense of energy and excitement. |
| 28 | Zoom Shot | A shot that uses the camera's zoom lens to move closer to or farther away from the subject, either revealing new details or changing the viewer's perspective. |
| 29 | Rack Focus | A shot that shifts focus from one subject or element in the scene to another, directing the viewer's attention and highlighting different aspects of the scene. |
| 30 | Establishing Shot | A shot that sets the context for the scene, often depicting the location, time of day, or general atmosphere, to help the viewer understand the setting. |
| 31 | Time-Lapse | A technique that captures a series of images over a period of time, then compresses them into a video to show the passage of time. |
| 32 | Tilt-Shift | A technique that uses a special lens or post-processing to create a shallow depth of field, making the scene appear like a miniature model. |
| 33 | Reflection Shot | A shot that captures a subject's reflection in a mirror, water, or other reflective surface, adding depth and visual interest to the scene. |
| 34 | Silhouette Shot | A shot where the subject is backlit, creating a dark silhouette against a brighter background, often used to convey mystery or emotion. |
| 35 | Low-Key Lighting | A technique that uses minimal lighting to create a dark, moody atmosphere, often emphasizing shadows and contrast. |
| 36 | High-Key Lighting | A technique that uses bright, even lighting to create a cheerful, optimistic atmosphere, often minimizing shadows and contrast. |
| 37 | Split Lighting | A technique that lights one half of a subject's face while leaving the other half in shadow, creating a dramatic, contrasting effect. |
| 38 | Cross Lighting | A technique that uses two light sources placed at opposite sides of the subject, highlighting texture and dimension. |
| 39 | Canted Shot | A shot where the camera is positioned at an angle to the subject or scene, often used to create a sense of disorientation or tension. |
| 40 | Cutaway Shot | A shot that briefly shows something outside the main action or subject, often used to provide context or additional information. |
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